Shot this a few months ago but forgot to post it! Was having fun shooting snow falling at 120 frames per second on the SONY A6300. When played back at 24fps, or normal film speed, you get very smooth 1/4 speed slow motion. This was shot out at Pt AuRoche state park near Plattsburgh, NY.
It’s been a slow to start but quite spectacular autumn here in upstate New York. I love this time of year and try to get out to shoot as much scenic footage as possible. Many years I have big projects and hard deadlines that keep me from driving around the mountains during the roughly one to two week period when the leaves are at peak color. To me peak color is when there is still some green trees mixed in as well. Enjoy this short video of the footage I collected this year.
I recently acquired the DJI Inspire 1 quadcopter for shooting aerial video and stills.
It’s an awesome platform to shoot from. As you can see the camera is built in and sends a full HD signal down to the remote so you can monitor the shot from an iPad. It can shoot 12MP stills and 4k video! It is also bigger and heavier than the Phantom model I was using before and that means more stability in the air. The camera is gimbal stabilized too so the footage is rock solid. The range is also very impressive! In the video below, the last shot is of a train and I was over 3000 feet away at the furthest point. This video is all made with shots from the first day I flew it and is more of a test video than anything.
This is a collection of clips for a documentary I am making on William Miner of Chazy, NY. He was a philanthropist from the turn of the century who made his fortune in the railroad industry. He developed a state of the art farm in the early 1900’s that still is functioning today. It will be a historical documentary on his life that should be completed in late 2015. These clips were shot with the Canon C100 and recorded on a Ninja 2 recorder. Shot mostly with the Tamron 70-200 F2.8 IS lens. I love that lens for getting telephoto shots! It’s tack sharp and very fast and clear at f2.8.
This is a slower paced short, to match the feeling of a lovely country farm in the heat of summer. Pour a glass of cold iced tea and enjoy!
This is a collection of some recent scenics I shot for stock footage sales. I recently got the Tamron 70-200mm F2.8 IS lens. Its $1000 cheaper then Canon’s 70-200 and the quality is excellent! I’ve used both and I cant tell a difference in the video! Plus…its black and looks like it’s a part of the camera better then the white model of Canons. That white can reflect more in glass when you are shooting and just looks….weird! Almost all the shots are with this new lens, with a few Tokina 11-16mm F.2.8 shots in there as well.
Anyway, all this was shot on the C100 and recorded on a Atomos Ninja 2 at 24p. The overcranked shots of the water was shot at 60i (Shutter speed of 120) and retimed in FCPX 10.1.
Nothing ground breaking here, just wanted to test the lens in the field and figured I’d make a little film instead of a “test clip” reel.
I’ve been shooting more and more stills with my DSLR Canon 7D lately. It started with getting Lightroom and Photoshop leased for $10 a month. I really needed Photoshop for the Charles Steinmetz documentary I was editing to clean up all the old archive photos. Once I had the programs, I started watching online tutorials (can never stop learning) and was intrigued by what these two programs could do. I never shot much in the RAW format, I found the files too big and the workflow too cumbersome, but with the new software, the image possibilities were to enticing not to give it a try! What RAW does is basically record on your CF card the exact data that is hitting your cameras sensor. This allows you to change almost any setting after the fact! You can adjust color balance, exposure, sharpness, bring back detail in the white parts, pull up detail in the shadows etc… It basically allows near complete tweak-ability after you get back from shooting.
In the past you had to expose for the highlights and let the rest go into darkness, or expose for the shadow areas and the highlights would get blown out, but now you can get both to be properly exposed by shooting in RAW and tweaking in Lightroom and Photoshop after the fact. Is it “cheating”? I guess in a way…however it allows me to present the image closer to how I saw it in the filed, which before was always a compromise. Some times I do “paint” the image up with some added highlights and shadow areas to give it interest that werent really like that in the original scene, but to me it’s almost a blend between painting with paints and photography. It’s an artistic interpretation that is opening up a whole new level of “fun” for me! Here are a few examples: Click on them for larger views!
I love shooting fall scenics in the Adirondacks of Upstate New York! This year was a great one for color. I was only able to get out a couple times, but when I did the light was fantastic. This was all shot with my Canon C100 and recorded to a NINJA 2 external recorder. I sell stock footage online at Shutterstock.com so having all the clips already in ProRes is worth the hassle of setting up the external recorder. It also helps give better image quality for very highly detailed shots or shots with lots of motion. These are the ones where the AVCHD codec runs out of bits.
Specifics: Shot using a picture profile I cooked up that is a combination of some I found online and tweaked to my liking. Mostly based on the Wide DR setting. Color turned up some and adjusted for more red and contrast increased some, (black level and gamma adjustments). Further post color correction was done to get the most out of each shot.
Lenses: Canon 24-105 F4, Tokina 11-16mm F2.8, and most shots were with my Tamron 18-270 super zoom! I love that lens and while it isnt as sharp as the Canon, it gets you an incredible range.
Thanks for watching!